Bibliographie
Définitions
Barthes
Bourgaux
Corvin
Gouhier
Pavis
Ubersfeld


Extraits
Baillon
Burns
Goffman
Pavis


Textes

Jeu théâtral
Théâtralité du corps
Théâtralité de l'espace



Bibliographie
Définitions Austin
Carlson
Diamond
Schneider
Turner


Extraits
Austin
Carlson
Diamond
Dolan
Féral I
Féral II
Leclercq
Parker
Schechner I
Schechner II
Schechner III
Vidéo - Le Dortoir

Textes

Images

 

 

Alter, J. (1990). A Sociosemiotic Theory of Theatre. Philadelphie: University of Pennsylvania Press.

Aslan, O. (1993). Le corps en jeu. Paris: CNRS

Auslander, P. (1994). Presence and Resistance: postmodernism and Cultural Politics in Contemporary American Performance. Ann Arbor: University of Michigan Press.

Austin, J.L. (1975). How to Do Things with Words. Cambridge: Harvard University Press.

Bakhtin, M. (1986). Speech Genres and Other Late Essays. Austin: University of Texas Press.

Barba, E. (1995). L’énergie qui danse, L’Art secret de l’acteur. Bouffonneries, no 32-33, Lectoure.

Battcock, G. et NICKAS, R. (1984). The Art of Performance. A critical Anthology. New York: Dutton, 344p.

Baudrillard, J. (1988). De la séduction. Paris: Denoël, 246p.

Bauman, R. (1977). Verbal Art as Performance. Rowley: Newbury House.

Bauman, R. (1986). Story, Performance, and Event: Contextual Studies in Oral Narrative. New York: Cambridge University Press.

Benamou, M. (1977). Performance in postmodern culture. Coda Press, 234p.

Bernard, M. (2001). De la création chorégraphique. Paris: Centre national de la danse.

Bharucha, R. (1993). Theater and the World: Performance and the Politics of Culture, Londres: Routledge.

Blau, H. (1983)."Universals of Performance: Or, Amortizing Play". Sub-Stance, vols. 37-38, pp.140-161.

Blau, H. (1992). To All Appearances: Ideology and Performance. Londres: Routledge.

Bouissac, P. "Behavior in Context: In What Sense Does a Circus Animal Perform?" in Thomas SEBEOK and Robert Rosenthal (eds). The Clever Hans Phenomenon: Communication with Horses, Whales, Apes and People. New York: New York Academy of Sciences.

Brewer, M. M. (1985). "Performing Theory". Theatre Journal, vol.37, pp.13-30.

Bronson, A. et GALE, P. (éds) (1979). Performance by artists. Toronto: Art Metropole, 319p.

Burnham, L. F. (1986). "High Performance, Performance Art, and Me". TDR, vol.30, pp.15-51.

Butler, J. (1997). Excitable Speech: A Politics of the Performative. New York: Routledge.

Butler, J. (1988). "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory". Theatre Journal, vol.40, pp.519-531.

Calzadilla, F. (1999). "Identity Case-d"

Campbell, P. (éd.) (1996). Analysing performance. New York: Manchester University Press, 307p.

Carlson, L. (1990). "Performance Art as Political Activism". Artweek, vol.22, pp.23-24.

Carlson, M. A. (1996). Performance: a critical introduction. Londres: Routledge, 247p.

Carlson, M. A. (1989). Places of Performance. Ithaca: Cornell university Press.

Carlson, M. A. (1996). "Invisible Presences: Performance Intertextuality". Theatre Research International, vol.19, pp.111-117.

Carr, C. (1994). On Edge: Performance at the End of the Twentieth Century. Middletown: Wesleyan University Press.

Case, S.-E. (1991). The performance of power. Iowa City: University of Iowa Press, 284p.

Case, S.-E. (éd.) (1991). Performing Feminisms: Femisnist Critical Theory and Theatre. Baltimore: Johns Hopkins University Press.

Conquergood, D. (1992). "Ethnography, Rhetoric, and Performance". Quarterly Journal of Speech, 78, pp.80-123.

Conquergood, D. (1995). "Of Caravans and Carnavals: Performance Studies in Motion". TDR, 39:4, pp.137-141.

Conquergood, D. (1991). "Rethinking Ethnography: Towards a Critical Cultural politics". Cultural Monographs, 58:2, pp.179-194.

Conquergood, D. (1985). "Performing as a Moral Act: Ethical Dimensions of the Ethnography of Performance". Literature in Performance, vol.5, pp.1-13.

Conquergood, D. (1992). "Ethnography, Rhetoric, and Performance". Quarterly Journal of Speech, vol.78, pp.80-97.

Counsell, C. (1996). Signs of performance: an introduction to Twentieth-Century Theatre. New York: Routledge, 242p.

Danet, B. (1973). "Speech, writing and Performativity: an evolutionary view of the history of constitutive ritual". in L. Gunnarsson-Britt (éd.), The Construction of professional discourse, Londres: Longman, pp.13-41.

Danielsson, S. (1973). Some conceptions of performativity. Uppsala: Philosophical Society and the Dep. of Phil., University of Uppsala, 53p.

D'Cruz, G. (1995). "From theater to performance: constituting discipline of performance studies in the Australian Academy". Australasian Drama Studies, Queensland, Avril, #26, pp. 36-52.

Dempster, E. 7 als. (Ed.). (1991). Writing on Dance and the Authors. 7. Privilege and Presence. p.50-60

Diamond, E. (éd.) (1997). Unmaking Mimesis. Londres: Routledge.

Diamond, E. (éd.) (1996). Performance and Cultural Politics. Londres: Routledge.

Diamond, E. (éd.) (1995). Writing Performances. Londres: Routledge.

Dolan, J. (1993). "Geographies of Learning: Theatre Studies, performance and the "performative". Theatre Journal, Baltimore, décembre, 45:4, pp.417-441.

Dupuy, J. (éd.) (1980). Collective Consciousness. Art Performance in the Seventies, Performaing Arts Journal Publications.

Eco, U. (1977). "Semiotics of Theatrical Performance". TDR, vol.21, pp.107-117.

Elwes, C. (1985). "Floating Feminity: A Look at Performance Art by Women". in S. Kent et J. Morreau (éd.), Women's Images of Men, Londres: Writers and Readers Publishing, pp.64-93.

Fabian, J. (1990). Power and Performance. Madison: University of Wisconsin Press.

Fenoglio, I. (1993). "Performatif et jeux avec les mots"

Féral, J. (1992). "What is Left of Performance Art? Autopsy of a Function, Birth of a Genre". Discourse, vol.14, pp.142-162.

Fischer-Lichte, E. (1987). "The performance as an "interpretant" of the drama". Semiotica, no 64:3-4, pp. 197-212.

Foster, G.-A. (éd.) (1998). "Theories of Performativity". Film Criticism, automne, 23:1.

Fraligh, S. Dance and the Lived Body.

George, D. (1989). "On Ambiguity: Towards a Post-Modern Performance Theory". Theatre Research International, vol.14.

Gillibert, J. (1993). L'Acteur en création. Toulouse: Presses Universitaires du Mirail, 204p.

Ginet, C. (1979). "Performativity". Linguistics and Philosophy: an international journal, Austin, 3, pp.245-265.

Goldberg, R. (1979). Performance: Live Art 1909 to the Present. New York: H. Abrams, 128p.

Goldberg, R. Performance art: from futurism to the present. New York: H.N. Abrams, 216p.

Habermas, J. (1984, 1987). The Theory of Communicative Action. Boston: Beacon Press.

Hayum, A. (1975). "Notes on Performance and the Arts". Art Journal, vol.34, pp.337-340.

Howell, A. et Templeton, F. (1977). Elements of Performance Art. The Ting: The Theatre of Mistajkes.

Huizinga. (1987). Homo ludens.

HUTCHINS, C. "Poetry As Performativity And Excess: An Essay On Politics And Anti-Foundational Academic Discourse, And Seven Poems On Sedimentation"

Huyssen, A. (1986). After the Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington.

Inga-Pin, L. (éd.) (1978). Performances: happenings, events, activities, installations. Padova: Mastrogiacomo-Images, 216p.

Issacharoff, M. (1989). Discourse as performance. Stanford: Stanford University Press, 161p.

Issacharoff, M. et JONES, R. F. (1988), Performing Texts. Philadelphie: University of Pennsylvania Press.

Jackson, S. (1993). "Ethnography and the Audition: Performance as Ideological Critique". Text and Performance Quarterly, vol.13, pp.21-43.

Jacobson, L. (1994). "What is performance studies". American Theatre, janvier, 11:1, pp.20-22.

Jones, A. (1998). Body Art: Performing the Subject. Minneapolis and London: University of Minnesota Press.

Kaye, N. (1994). Postmodernism and performance. New york: St-Martin's Press, 180p.

Kelsey, B. R. (1982). "Play: a performative hermeneutic of drama". Dissertation Abstracts International, Ann Arbor, octobre, 43:4, 1152A-1153A.

King, B. A. (éd.) (1991). Contemporary American theatre. New York: St- Martin's Press, 289p.

Kirby, M. (éd.) (1974). The New Theatre. Performance Documentation. New York: New York University Press, The Drama Review Series.

Kirby, M. (1982). "Nonsemiotic Performance". Modern Drama, vol.25, pp.105-111.

Kirshenblatt-Gimblett, B. (2000). "Performance Studies Issues and Methods"

Konyves, T. (éd.) (1980). Art Montreal, Performances, Québec 1980. Montréal: Véhicule Art.

Kostelanetz, R. (1994). On Innovative Performance(s): Three Decades of Recollections Alternative Theater. Jefferson: McFarland.

Lee, B. (1997). Talking Heads: Language, Metalanguage and the semiotics of subjectivity. Durham: Duke University Press, 376p.

Loeffler, C. E. et TONG, D. (éd.) (1980). Performance Anthology: Source Book for a Decade of California Performance Art. San Francisco: Contemporary Art Press, 500p.

Louppe, L. (2000). Poétique de la danse contemporaine. Bruxelles : Contredanse. 392 P.

Lyotard, J.-F. (1973). Des dispositifs pulsionnels. Paris: Union Générale d'éditions, 10/18, 318p.

McKenzie, J. (1996). "All Performance Is Electronic: Feedback Requested"

Marranca, B. et Dasgupta, G. (éd.) (1991). "Interculturalism and performance: writings from PAJ" New York, Performing Arts Journal, 335p.

Martin, R. (1990). Performance as Political Act: The Embodied Self. New York: Bergin & Garvey.

Mehta, X. (1984). "Some Versions of Performance Art". Theatre Journal, vol.36, pp.164-198.

Mifflin, M. (1992). "Performance Art: what is it and where is it going?". Art News, vol.91, no 4, pp.84-89.

Nuttall, J. (1979). Performance Art: Memoirs. Londres: John Calder.

Parker, A. et Sedwick, E. K. (éd.) (1995). Performativity and performance. New York: Routledge, 239p.

Pavis, Patrice (éd.) (1996). The intercultural performance reader. Londres: Routledge, 267p.

Payant, R. (1987). Vedutes: pièces détachées sur l'art. Laval: Trois, 682p.

Phelan, P. (1993). Unmarked: The Politics of Performance. Londres: Routledge.

Pontbriand, C. (éd.) (1981). Performance: Text(e)s & Documents: actes du colloque Performance et multidisciplinarité: postmodernisme. Montréal: Éditions Parachute, 237p.

Postlewait, T. et Mc Conachie, B. A. (éd.) (1989). Interpreting the theatrical past: essays in the historiography of performance. Iowa City: University of Iowa Press, 325p.

Pradier, J.-M. (1987). "Bio-logique et sémio-logique: de la structure du vivant à la vie du sens". Degrés, no 42-43, été-automne, d1-d16.

Pradier, J.-M. (1987). "Anatomie de l'acteur". Théâtre/Public, 76-77, juillet-octobre, pp.35-44.

REINELT, J. et Roach, J. R. (éd.) (1992). Critical Theory and Performance. Ann Arbor: University of Michigan Press.

Rokem, F. (1992). "A walking angel: on the performative function of the Human". Assaph: Studies in the Theatre, Tel Aviv, 8, pp.113-126.

Roth, Moira (éd.) (1992). The Amazing Decade. Women and Performance Art in America, 1970-1980. Los Angeles: Astro Artz, 165p.

Rouse, J. (1992). "Textuality and Authority in Theater and Drama: Some Contemporary". in J. G. Reinelt et J. R. Roach (éd.), Critical Theory and Performance, Ann Arbor: University of Michigan Press, pp.146-157.

Rozik, E. (1989). "Speech Acts and the Theory of Theatrical Communication". Kodikas/Code, vol.12, pp.41-55.

Rozik, E. (1993). "Categorization of Speech Acts in Play and Performance Analysis". Journal of Dramatic Theory and Criticism, vol.8, pp.117-132.

Russell Brown, J. (1996). "Performance, Theatre training and research". New Theatre Quarterly, août, 12:47, pp.207-215.

Ryan, M.-L. (1999). "Frontière de la fiction : digitale ou analogique?"

Saivetz, D. (1997). "Releasing the "profound" physicality of performance". New Theatre Quarterly, novembre, 13:52, pp.329-338.

Sawyer, R. K. (éd.) (1997). Creativity in performance, Greenwich: Ablex, 320p.

Scarpetta, G. (1985). L'impureté. Paris: B. Grasset, 389p.

Schachenmayr, V. (1997). "Edited to the point of performativity: strategies for engaging the Woyzeck Faksimilieausgabe". Journal of Dramatic Theory and Criticism, Lawrence, automne, 12:1, pp.57-76.

Schechner, R. (2002). Performance Studies. Routledge

Schechner, R. (2002). "Post Post-Structuralism?". TDR, Volume 44 Number 3, Issue 1 September.

Schechner, R. (1993). The future of ritual: writings on culture and performance. Londres: Routledge, 283p.

Schechner, R. (1990). By means of performance: intercultural studies of theatre and ritual. Cambridge, Ang.: Cambridge University Press, 298p.

Schechner, R. (1988). Performance theory. New York: Routledge, 304p.

Schechner, R. (1983). Performative circumstances: from the Avant Garde to Ramlila. Calcutta: Seagull Books, 337p.

Schechner, R. (1982). The end of humanism: writings on performance. New York: Performing Arts Journal, 127p.

Schechner, R. (1973). Environmental theater. New York: Hawthorn Books, 339p.

Schechner, R. (1973). "Performance and the Social Sciences". TDR, vol.17, pp.5-36.

Schechner, Richard. (2002). Performance Studies. Routledge

Scheie, T. (1998). "Addicted to Race: Performativity, Agency and Cesaire' A Tempest". College Literative, West Chester, printemps, 25:2, pp.17-29.

Scheie, T. (1994). "Body trouble: Corporeal "presence" and performative identity in Cixous' and Mnouchkine's L'Indiade ou l'Inde de leurs rêves". Theatre Journal, Baltimore, mars, 46:1, pp.31-44.

Schneider, R. (1997). The Explicit Body in Performance. Londres: Routledge.

Searle, J. (1989), "How Performatives Work : What exactly is a performative?" in Linguistics and philosophy, vol. 12

Stern, C. S. et Henderson, B. (1993). Performance: Texts and Contexts. White Plains: Longmans.

Strine, M. S., Whitaker Long, B. et Hopkins, M. F. (1990). "Research in Interpretation and Performance Studies: Trends, Issues, Priorities" in G. Phillips et J. Woods (éd.), Speech Communication: Essays to Commemorate the Seventy-Fifth Anniversary of the Speech Communication Association, Carbondale: Southern Illionois University Press, pp.181-193.

Sutton-Smith, B. (1979) "Epilogue: play as performance". in Play and Learning, New York: Gardner Press.

Taylor, D. et Villegas Morales, J. (éd.) (1995). Negotiating performance. Durham: Duke University Press, 356p.

Tufnell, M. (1993). Body, space, image: notes toward improvisation and performance. Londres: Dance Books, 209p.

Turner, V. (1984). "Liminality and the performative genres". in J. J. MacAloon (éd.), Rite, Drama, Festival, Spectacle: Rehearsals toward a Theory of cultural Performance, Philadelphia: Inst. for the study of Human Issues, pp.19-41.

Turner, V. (1979). "Dramatic ritual/ritual drama: performative and reflexive anthropology". The Kenyon Review, Gambier, 1:3, pp.80-93.

Turner, V. (1987). The Anthropology of Performance. New York: Performing Arts Journal Publication.

Turner, V., Turner, E. (1983). "Performing Ethnography". TDR, vol.26, pp.33-50.

Vanden Heuvel, M. (1991). Performing drama/dramatizing performance: alternative theater and the dramatic text. Ann Arbor: University of Michigan Press, 262p.

Vattimo, G. (1987). La fin de la modernité. Paris: Éditions du Seuil, 184p.

Vena, G. et NOUREYH, A. (éd.) (1996). Drama and performance: an anthology. New York: Harper Collins, 1204p.

Virilio, P. (1993). L'espace critique. Paris: C. Bourgois, 187p.

Weimann, R. (1992). "(Post)Modernity and representation: issues of authority, power, performativity". New Literary History: a Journal of Theory and Interpretation, Baltimore, automne, 23:4, pp.955-981.

Weimann, R. (1996). "Literature in the theatre? Textual Authority and Performative practice". in R. Ahrens et L. Volkmann (éd.), Why Literature Matters: Theories and Functions of Literature, Heidelberg: Winter, 424p.

Whitmore, J. (1994). Directing postmodern theater: shaping signification in performance. Ann Arbor: University of Michigan Press, 242p.

Wiles, T.J. (1980). The Theater Event: Modern Theories of Performance. Chicago: Chicago University Press, 208p.

Williams, R. (1991). Drama in performance. Milton Keynes, Ang.: Open University Press, 184p.

Worthen, W.B. (1998). "Drama, Performativity and Performance". PMLA: Publications of the Modern Language Association of America, New York, octobre, 113:5, pp.1093-1107.

Worthen, W.B. (1995). "Disciplines of the Text / Sites of Performance". TDR, 39:1, pp.13-28.

Yanofsky, N. M. et MacLaran, R. (1979-1980) "Remarks on Performativity". CUNY Forum, New York, 7-9, pp.237-247.

Zarrilli, P. B. (1995) Response to W.B. Worthen’s "Disciplines of the Text/Sites of Performance". 39.1, 38-41.